Originally released on Superradio Records (a treasure trove of classic Italo) in 83, this track returned to prominence through Morgan Geist’s superb and unmissable ‘Unclassics’ project. My copy is an edit not a million miles away from the original taken from this Superradio compilation on Radius. The track utilises textbook spaceship noises, has a killer bassline, and then the synth brilliance takes over. Camp as Christmas and dripping with sleazy euro appeal this track is one of my all time favourites and today I’m sharing it with you.
Morgan Geist needs no introduction. The man has been making dance music to the highest standard for longer than i’ve been able to tie laces and he’s showing no signs of slowing down. Whether working as half of Metro Area or under his various solo aliases he always brings deep and organic sounding music, retro influenced but forward facing, touching on the 80s sounds of boogie, italo, early house and techno, but always sounding fresh, original and unmistakably his own. In December last year he snuck out a very late contender that wiped the floor with the track of the year competition under the alias of Storm Queen. That track, ‘Look Right Through’ has barely been out of the box over the last 12 months and is due a rerelease on D******D (I won’t say that word) with remixes from Aeroplane, Dimitri from Paris, Art Department and Jamie Jones. So if you’re new to the track, get there quickly, it’s about to jump the shark. Thankfully, as a saviour of the underground, Morgan has seen fit to release another powerhouse in time for this year’s party season.
‘It Goes On’ repeats the trick so wonderfully pulled off in ‘Look Right Through’. He has taken what is in essence a melancholy ballad and styled it as a house track with the late 80s/early 90s aesthetic. Inside the ecstatic body moving rhythm of these tracks, hidden within the exceptional synths and flawless production lie real songs, about heartbreak, longing and resilience. This time round things are less straight forward, the track is less immediate, the progressions less classic which usually means its power will be more lasting. Things begin with a handclap, always a good start, and the key melody of a descending bassline. Things are very minor key, Damon C. Scott (returning on vocal duties) starts to tell us a tale of loss as Morgan’s synths weave their magic, and finally we’re paid off with an uplifting chorus and the hands are in the air. The highlight of the track is the detuned warped synths that follow the first chorus. Inventive, interesting and forward moving electronic music that will pack every floor it’s unleashed on.
You can find both Storm Queen records on vinyl at the Environ Shop and listen to the vocal mix of this gem below.
Another second hand gem in the form of this oft edited Latino/Italo/Synth gem. The image I’ve gone with above is from the Ariola release because I couldn’t bring myself to search for the Movieplay sleeve (a strong contender for the worst 12″ artwork of all time). Anyway, on to the music. You’ve heard the edit on Morgan Geist’s Unclassics, you’ve got the Psychemagik edit on History Clock, and now you have the original. Marvel as those Italo electronics collide with lush Latino melodies, sway as the track melts into those super cheesy cruise ship moments, and just wait for the break in the middle with the spanish guitar. I’ve chosen to go with the Versión Orquestral but true lovers of this track and its questionable euro vocals can petition for the vocal incarnation.