dr dunks & justin vandervolgen – keep it cheap 4 (keep it cheap, 2011)

Eric Duncan’s twin edit assault continues with the latest instalment of his Keep It Cheap series. On number 3 he welcomed Felix Dickinson to the party for some murky behaviour and sleazy vibes, and for the latest edition he’s created a double header of the year scenario by making a NYC editing tag team with Justin Vandervolgen. Dr Dunks was virtually unstoppable last year, and Justin Vandervolgen’s Try To Find Me project was a major disco sensation so the bar is set at everest levels.

In the red corner Dr Dunks pays another visit to Caroline Crawford (‘Coming on Strong’ was the source for a previous C.O.M.B.I.) this time extending her sweet disco number ‘A Nice Feeling’. Long instrumental sections introduce all the lush feel good grooves of the original, creating a sultry sunshine vibe, before the vocals are let loose in a typical Dr Dunks fashion. Mined of its bottom end and treated to a little echo and reverb, her voice soars above you’re head, guaranteed to bring a smile to your face.

In the blue corner disco viking JVV delivers a knock out punch in the form of dancefloor haymaker ‘Versions’. It’s a low slung slice of ‘balearock’ in a 70’s Laurel Canyon vein with about 4 neat guitar riffs going on at the same time to create a sunset groove. There are bongos a-go-go and all things chuggy, and even a crazy anachronistic percussion breakdown in a heads down style. Resistance is futile to this groove.

There are only 300 copies worldwide so get it from Pic before it sells out.

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C.O.M.B.i – c/d, you got love song, it a late (C.O.M.B.i, 2008)

After a quiet week for blogging last week I thought it was high time to present number two in the combi series. On sides C/D Eric D managed to take the ruthlessly effective cut and loop style he showed off with the first release and take it to the next level with two extremely good edits. On the face of it, you could argue that there isn’t a lot more going on here then some looping and extension and while this is true, it’s the choice of the loops, and the timing and dynamics of the tracks that sets this edit aside from the rest of the bunch.

On side c, Dunks took Front Page’s ‘You Got My Love’ (no stranger to an edit, check out Idjut Boys’ ‘Key to the Tripod’ release) and turned the high octane original into an extended disco workout. The guitar riff central to the track sounds like it could have been used for any number of late 90’s filter house production, and gives the track a modern sound, especially when coupled with the supercharged bassline. Then there’s those dramatic vocals sitting on top of everything which really hit their peak in the last minute of the song. A top drawer release.

The flipside presents a different kettle of fish. Things get going on a low slow grooving tip with a steady beat and head nodding bassline, extended for dj use into a ridiculously lengthy intro before the cinematic guitar swirls into place. Then the moment of realisation, it’s none other than Village People’s ‘5 o’clock in the morning’, a late night disco classic. This track is moody and groovy and straddles the slow mo disco/balearic divide perfectly. It also makes the perfect soundtrack to late night journeys.

So here in full high definition, 3d, brighter than bright ultra neon white 320 quality are these two pieces of recent disco mastery.

C.O.M.B.i. – a/b, i found morning/it come fast (C.O.M.B.i., 2007)

So this is where the c.o.m.b.i. journey started. In 2007 Eric ‘Dr Dunks’ Duncan, of Rub’N’Tug fame, put together two fairly basic disco edits and then sent them into the world on the new combi label. Since then he’s gone on a journey through disco, funk and psychedelic blues, not to mention the letters of the alphabet. On this inaugural release he slices and dices ‘High On Your Love’ by Debbie Jacobs and ‘Livin’ In The Jungle’ by City Streets into two high energy, peak time workouts. Featuring minimal use of effects these edits do more along the lines of restructuring the tracks, extending the breaks, delaying the vocals, squeezing all the juice out of the original instrumentation, and generally putting a rocket up the original tracks. Eric Duncan says the whole project came about from him trying to learn how to do an edit using a computer, rather than two cdjs, and on this release he shows off a good understanding of the dancefloor basics without displaying the fine use of effects seen on the later releases in the series.

I rate ‘High On Your Love’ as one of the greatest disco records ever released, and for me all the lengthening sort of removes some of the charm for the original, so i rarely choose to play this edit over the original. On the other hand ‘It Come Fast’ is a magnificent edit, packed full of power, always moving and changing. It pays its respects to the original, but takes it to the next level in the way the best edits can.

va. philly re-grooved – the tom moulton mixes vol. 2 (harmless, 2011)

Eric Duncan just dropped his latest C.O.M.B.I. including a majestic retouch of Tom Moulton’s ‘I Don’t Need No Music’ as preempting the arrival of Mr Moulton’s new compilation.

Last June we were blessed with a compilation released on the groundbreaking record label that is Harmless, celebrating their 100th release – not many record companies reach that milestone. They chose veteran disco dj/remixer Tom Moulton and a selection of mixes he did in early 1970s for a record label called Philly Groove, which was releasing disco material, on 7″, since it was the industry standard. Some decades elapsed and Harmless / Philly Groove decided to rescue all those 7”s and offer the man himself to extend those mixes, and in doing so, refresh an over digitalized generation with what some call ‘organic sounds’.

That happened last summer. It seems that not the whole catalogue of mixes did fit the first volume, so here we have Volume 2!

The tracks being re-edited are the kind of records which required consummate experts to craft them, and often full orchestras of 40 plus musicians to bring the songs to life. This is not a cut and paste exercise, folks.

‘Philly Re-grooved (Volume 2)’ is a continuation to the testament of the talents of Tom Moulton. Once again Tom goes back to the golden age of 70’s Philly and shows his skills on key tracks from First Choice, Quickest Way Out, Ultra High Frequency, Moment Of Truth, Loose Change, TJM and Terry Collins. The productions contain a ‘who’s who’ of musical geniuses behind the scenes: Thom Bell, Norman Harris, Stan Watson, Bobby Eli, Touch Of Class, Alan Felder and of course Reid Whitelaw and Tom Moulton.

Tracklsting:
1. Incompatible – Ultra High Frequency 5.51
2.  Smarty Pants – First Choice 5.10
3. Beware, She’s Pulling My Strings – The Quickest Way Out 7.08
4. One Step Away – First Choice 5.37
5.  Love At First Sight – Moment Of Truth 7.40
6.  Who Am I – The Quickest Way Out 6.31
7.  I’m Hopelessly In Love With You – Moment Of Truth 7.15
8.  Straight From The Heart – Loose Change 7.39
9.  Put Yourself In My Place – TJM 8.42
10.  Rising Cost Of Love – Loose Change 7.36
11.  Action Speaks Louder Than Words – Terry Collins 7.09

And if words do not say much to you, let music ring your ears. Here you have the unduly sampled musical sweetness of Heaven n Hell to water your mouth until the release of this new compendium is on sale next 30th of May.

 

Heaven n Hell – Whatcha Gonna Do (Tom Moulton mix)

thomas jerome moulton – i don’t need no music (casablanca 1979, c.o.m.b.i. 2011)

over the next few weeks keep checking this blog if you want to hoard the entire out of stock and well overpriced (check discogs/eBay for a laugh) c.o.m.b.i. catalogue in 320kpbs format ripped from my own vinyls. the opening number is side O.

eric duncan has released a new instalment in its both overpriced and essential c.o.m.b.i. series. since we wrote a very good post on this already, no need for a lengthy description here. let the music ring!

it is the classic soulful tune ‘I Don’t Need No Music’ by Tom Moulton who gets the looping, chopping, drum break extension, and playfulness that only Dr. Dunks can deliver. The original is from 1979 but you will be better off with the c.o.m.b.i. version if you want to surprise an open minded crowd on your discerning dancefloor.

pure honey!

C.O.M.B.i. – o/p, don’t stop dance/swamp googie crisco (C.O.M.B.i., 2011)

Fresh in at Juno and Piccadilly in the last 24 hours, and a few days before it was pegged for release comes the latest instalment in Eric Duncan’s consistently ace C.O.M.B.I. edit series. This time he serves up a proper tale of two halves, with two contrasting but hot re edits for your party. First up is ‘Don’t stop dance’ which is the Dunks treatment of TJM’s (Tom Moulton) ‘I don’t need no music’. The original is a track that hardly needs any work at all, and previous reworkings have been subtle to say the least. Dunks goes for a different approach here though, and drops the tempo by enough notches to make the track seem druggy and strung out, then sets to work looping it on up. I had the pleasure of hearing him drop this in Manchester, and it did the trick then, although I’d have to take a few more listens before I decided it was better than the original.

On side P, we get Swamp Googie Crisco, an edit of the track reworked for Stupid Human vol.1’s ‘Swamp’. I’ve failed to track down the original for this and so feel at the height of ignorance, so answers on a postcard and put me out of my misery ( thank you to Mr. Craig West for enlightening me with ‘Bobby Rush – I Wanna Do The Do’). In terms of the edit, there’s little to choose  between this version and the Stupid Human version, Dunks perhaps brings a little more bounce, and more vocals, but doesn’t apply the far out effects that Stupid Human treats us to. I’d have to say it’s too close to call.

All in all, in terms of freshness, Dunks has given us nothing we haven’t heard before, but the edits are of the highest production quality and are different enough to provide another option in a different set. Put another way, if you don’t own the originals, or any of the other edits of these songs, you’d bite his hand off, so I’d advise you to invest.

T.J.M. – I Don’t Need No Music /// discogs

T.J.M. – I Don’t Need No Music (Joey Negro Uptown Edit) /// discogs